Glossary

Welcome to our wooden window restoration glossary page! Here you will find definitions for all the technical terms used in relation to sash windows refurbishment. We hope you find this helpful! We've collected a list of common sash window terms and their definitions to help you better understand the specific content thought-out our website and blog. The Glossary section of the website can be useful for you to quickly understand the meaning of unknown terms about wooden windows. The sash window glossary is a list of terms and their definitions, which can help you understand the content of our website. In addition, the Glossary can provide you with links to related articles from our window restoration blog, so you can explore the subject in more depth. If you're ever unsure about a term or concept, be sure to check the Glossary first.

Fat edge

Fat edge

A fat edge is a term that describes a defect on a painted surface due to improper application. A fat edge is a build-up, or accumulation, of excess paint.

A fat edge is a term that describes a defect on a painted surface (window frame edges) due to improper application. A fat edge is a build-up, or accumulation, of excess paint, often on the borders of a surface, that result in ridges being formed. It can also refer to the area around the edge of a surface that has inadvertently received a second coat of paint that leaves ridges as well.

The most common cause of a fat edge is improper brushwork. Overloading the brush or roller can result in fat edges appearing between brush strokes and not overlapping the brush stocks when painting means these fat edges are not smoothed out.

A fat edge will greatly affect a surface’s appearance when dry and they are time-consuming to fix so should be avoided during application. The easiest way to fix a fat edge on a dry surface is to sand down the area and repaint it.

Other terms

  • Undertone

    Undertone

    Undertone is a term that refers to the subtle colouration that is added to a paint mixture that can be seen under the primary colouration. The undertone may not be easily noticeable but is greatly affective on the overall mood of the paint. Undertones can make a painted surface feel warmer by using undertones of […]

  • Fibre brushes

    Fibre brushes

    The bristles are usually made of natural vegetable fibres but can also be a mix of natural and artificial fibres. Fibre brushes often referred to as masonry brushes, are a specific type of paintbrush that is designed to be used with materials and on surfaces an ordinary bristle brush might not be appropriate for. Fibre […]

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